Draw the light that shines. One of the primary visual properties of any object is whether it is opaque, precise, or translucent. When you glance at an article, your eye can instantly determine it. For example, suppose the three libations in Design 1 below. You can easily discern that it contains milk (center, opaque), water (left, clear), and apple juice (right, translucent).
You can tell the contrast so fast because your eye quickly takes three parts into account:
- How light acts on the surface
- You can see into the thing and, if so, how precisely
- And the shadow cast by the thing
When cool drawing ideas are transparent or opaque things, you can represent the level of opacity by paying attention to these factors, consider how you draw the light that shines on the object, how you draw what is shown through the object from behind, and how you treat the shadow cast by the object. Doing so will expose an object’s clearness, adding elegance, complexity, and precision to your drawing.
An opaque object cannot be seen through solid or liquid. It is the easiest of the three categories to draw. We always draw opaque themes: wooden furniture, ceramic, walls, floors, the list goes on. Opaque objects can be glossy or matte, and highlighting is the most direct way to convey these properties. Reflections on shiny covers tend to be different shapes with sharp corners. They look like white patterns enclosed by a much deeper shade, with no gradation between the two. The straws and the glass of milk are examples of shiny and dull objects.
Boring things are the complete opposite, with soft, blurry lights around the edges. The highlight of an opaque object is even brighter than the surrounding values. But the highlights gradually blend into the surrounding tones, with no discernible edges. Whether glossy or matte, all-matte shapes prevent light from passing through them. It results in solid shadows that have no internal light. I draw soft shadows around the edges but make the inside of the shadows light and dark.
A transparent object can be seen through. The most straightforward way to show transparency is to draw something that can be seen from the target’s back. For example, in the matter of a lake, it may show rocks below the surface. We see the barred background through the clear glass of water, although there is a distortion of the hook of the glass. A Japanese glass float with a fishing net. The horizontal bottom line is visible through the glass object, although there is even more distortion because the float has a greater curvature than the cylindrical glass of water.
Transparent objects are usually shiny, so they tend to have sharp reflections. The shadows they cast are difficult to draw, but they are one of the most meaningful and descriptive characteristics to indicate transparency. The cast umbra of a direct thing is filled with light because the light passes through the object and ends up in the shadow. When you draw that light-filled shadow, draw only what you see. The light within the shadow is not as bright as a highlight, so make the light within the shadow slightly darker than, for example, the light that shines directly onto a table or wall. That slight darkness indicates that the light has passed through something and has been colored by experience.
Translucent objects fall between opaque and transparent. Light passes through them, but we cannot see clearly from the other side. Translucency is the most difficult of these properties to draw. It shows translucent as indistinct shapes, with slightly fuzzy edges and vague outlines. Techniques for creating smooth edges take longer and require more careful strokes. What is seen in the background, shown through a translucent object, varies depending on the level of transparency and the distance between the thing and what is behind it. Apple juice, for example, is quite thick, while lemonade is less. Both are translucent but to varying degrees. As we see in apple juice in clear glass, good things can have sharp reflections or softer reflections.
Shadows cast from translucent objects have a light cast within them, but not as much as seen from cast shadows from transparent objects. Translucency changes depending on the position of the light origin. A fine thing will often seem opaque when illuminated from the front or the side. The light comes between the two collections of grapes, so the front bunch is lit from behind, while the rear bench is descended from the front. The rear berries show lights and shadows with the same intensity and position as if they were opaque. The front bunch offers the clarity of each grape, with the inner seed barely apparent and a small measure of light in the cast darknesses.
A silent success
Drawing these properties convincingly will give your images more veracity. Still, it is a silent success. Like many good realism skills, when done correctly, it becomes invisible. They all believe in design and move in the world you have created without asking questions or noticing your attention.
Also Read: Beautiful Colorful Peacock